I have been dealing with one of the OG’s - Erik Snyder and his company Standing Set Canada for decades now. I have always found him to be the most courteous location resource manager, bar none. Having worked with him on commercial projects, feature films, and large streaming TV shows - he has always gone to the next level to make sure the deals are appropriate, cost effective, and finalized! His overall knowledge of the industry serves every production I have been on to the nth degree - I can’t say enough

For over a decade, when a script calls for any part of an office tower, my first call is to Erik Snyder.

Erik Snyder represented eighteen of the sets we filmed for The Apprentice. His range of locations and ability to provide access on short notice kept us on schedule and on budget. Erik has a natural talent for bringing people together — he connected us directly with property management and solved issues on the spot. His clear communication about site restrictions helped keep our schedule tight and on time. He’s my first call when shooting in Toronto.

For over a decade, when a script calls for any part of an office tower, my first call is to Erik Snyder.

I have been dealing with one of the OG’s - Erik Snyder and his company Standing Set Canada for decades now. I have always found him to be the most courteous location resource manager, bar none. Having worked with him on commercial projects, feature films, and large streaming TV shows - he has always gone to the next level to make sure the deals are appropriate, cost effective, and finalized! His overall knowledge of the industry serves every production I have been on to the nth degree - I can’t say enough

Erik Snyder represented eighteen of the sets we filmed for The Apprentice. His range of locations and ability to provide access on short notice kept us on schedule and on budget. Erik has a natural talent for bringing people together — he connected us directly with property management and solved issues on the spot. His clear communication about site restrictions helped keep our schedule tight and on time. He’s my first call when shooting in Toronto.

I have been dealing with one of the OG’s - Erik Snyder and his company Standing Set Canada for decades now. I have always found him to be the most courteous location resource manager, bar none. Having worked with him on commercial projects, feature films, and large streaming TV shows - he has always gone to the next level to make sure the deals are appropriate, cost effective, and finalized! His overall knowledge of the industry serves every production I have been on to the nth degree - I can’t say enough

For over a decade, when a script calls for any part of an office tower, my first call is to Erik Snyder.

Erik Snyder represented eighteen of the sets we filmed for The Apprentice. His range of locations and ability to provide access on short notice kept us on schedule and on budget. Erik has a natural talent for bringing people together — he connected us directly with property management and solved issues on the spot. His clear communication about site restrictions helped keep our schedule tight and on time. He’s my first call when shooting in Toronto.

For over a decade, when a script calls for any part of an office tower, my first call is to Erik Snyder.

I have been dealing with one of the OG’s - Erik Snyder and his company Standing Set Canada for decades now. I have always found him to be the most courteous location resource manager, bar none. Having worked with him on commercial projects, feature films, and large streaming TV shows - he has always gone to the next level to make sure the deals are appropriate, cost effective, and finalized! His overall knowledge of the industry serves every production I have been on to the nth degree - I can’t say enough

Erik Snyder represented eighteen of the sets we filmed for The Apprentice. His range of locations and ability to provide access on short notice kept us on schedule and on budget. Erik has a natural talent for bringing people together — he connected us directly with property management and solved issues on the spot. His clear communication about site restrictions helped keep our schedule tight and on time. He’s my first call when shooting in Toronto.

I have been dealing with one of the OG’s - Erik Snyder and his company Standing Set Canada for decades now. I have always found him to be the most courteous location resource manager, bar none. Having worked with him on commercial projects, feature films, and large streaming TV shows - he has always gone to the next level to make sure the deals are appropriate, cost effective, and finalized! His overall knowledge of the industry serves every production I have been on to the nth degree - I can’t say enough

For over a decade, when a script calls for any part of an office tower, my first call is to Erik Snyder.

Erik Snyder represented eighteen of the sets we filmed for The Apprentice. His range of locations and ability to provide access on short notice kept us on schedule and on budget. Erik has a natural talent for bringing people together — he connected us directly with property management and solved issues on the spot. His clear communication about site restrictions helped keep our schedule tight and on time. He’s my first call when shooting in Toronto.

For over a decade, when a script calls for any part of an office tower, my first call is to Erik Snyder.

I have been dealing with one of the OG’s - Erik Snyder and his company Standing Set Canada for decades now. I have always found him to be the most courteous location resource manager, bar none. Having worked with him on commercial projects, feature films, and large streaming TV shows - he has always gone to the next level to make sure the deals are appropriate, cost effective, and finalized! His overall knowledge of the industry serves every production I have been on to the nth degree - I can’t say enough

Erik Snyder represented eighteen of the sets we filmed for The Apprentice. His range of locations and ability to provide access on short notice kept us on schedule and on budget. Erik has a natural talent for bringing people together — he connected us directly with property management and solved issues on the spot. His clear communication about site restrictions helped keep our schedule tight and on time. He’s my first call when shooting in Toronto.

I have been dealing with one of the OG’s - Erik Snyder and his company Standing Set Canada for decades now. I have always found him to be the most courteous location resource manager, bar none. Having worked with him on commercial projects, feature films, and large streaming TV shows - he has always gone to the next level to make sure the deals are appropriate, cost effective, and finalized! His overall knowledge of the industry serves every production I have been on to the nth degree - I can’t say enough

For over a decade, when a script calls for any part of an office tower, my first call is to Erik Snyder.

Erik Snyder represented eighteen of the sets we filmed for The Apprentice. His range of locations and ability to provide access on short notice kept us on schedule and on budget. Erik has a natural talent for bringing people together — he connected us directly with property management and solved issues on the spot. His clear communication about site restrictions helped keep our schedule tight and on time. He’s my first call when shooting in Toronto.

For over a decade, when a script calls for any part of an office tower, my first call is to Erik Snyder.

I have been dealing with one of the OG’s - Erik Snyder and his company Standing Set Canada for decades now. I have always found him to be the most courteous location resource manager, bar none. Having worked with him on commercial projects, feature films, and large streaming TV shows - he has always gone to the next level to make sure the deals are appropriate, cost effective, and finalized! His overall knowledge of the industry serves every production I have been on to the nth degree - I can’t say enough

Erik Snyder represented eighteen of the sets we filmed for The Apprentice. His range of locations and ability to provide access on short notice kept us on schedule and on budget. Erik has a natural talent for bringing people together — he connected us directly with property management and solved issues on the spot. His clear communication about site restrictions helped keep our schedule tight and on time. He’s my first call when shooting in Toronto.